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National Poetry Month Poem Day 20

Madeleine Barnes
Dig

I am afraid I will outlive my mother.
The two of us sit on the shore
throwing clementine peels into the sea.

Our bodies burn. We scoop the sand.
I pick up a hard shell lined with mother-of-pearl.
Oysters feed on the seabed, grow on stones.

They are at home on the posts of piers,
on the bark and stilt of mangrove trees.
Their fragility is a survival strategy.

I want her to gather the material she needs
to write her book. I drill ink into my brain.
She says, you taught me how to be a mother.

Too many stars span before us. We tear the rocks.
I dream of knowing my place in her poems
but bury my heart deep in the earth,

tiny gravedigger. I want to be joined
to her words, but how many times are you allowed
to need your mother? Help me with this,
I want to beg her. Help me exit your poem.

From The Literary Nest Archives

National Poetry Month Poem Day 19

Carol Dorf
Little Boy Blue

Magic cards, arranged by powers, and dice
transport you and anyone else who joined
your narratives over the moat, through castles,
and past ghouls who were far less frightening

than the father who offered to teach you
to fly off the roof of his SRO
apartment building on Lombard Street.
Visitation rights, or the visitation

of demons. The Sundays ended soon after
the flying lesson, but the cards and their gates
into the world of brass powers persisted
filling your world. Once, you hated standing

still for the portrait with the combed hair, the tie.
Now that’s all you have left of a childhood.

From The Literary Nest Archives

National Poetry Month Poem Day 18

Short Circuit to Spring
By M.J. Iuppa

Sudden brush of sun, brash streaks of
light gleaming as snowdrifts sink deeper

and deeper into our road’s rushing run-
off, making it impossible to walk with-

out uncertainty— the depths of its head-
waters, its chilly music that spins us

in icy attitudes— O, how we fly—
open coats, lost hats, arms unlocking

like mute swans’ wings— billowy cloud
constellations— we sail beyond light.


From The Literary Nest Archives

National Poetry Month Poem Day 16

The Death of the Hired Man

By Robert Frost
Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. ‘Silas is back.’
She pushed him outward with her through the door
And shut it after her. ‘Be kind,’ she said.
She took the market things from Warren’s arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.

‘When was I ever anything but kind to him?
But I’ll not have the fellow back,’ he said.
‘I told him so last haying, didn’t I?
If he left then, I said, that ended it.
What good is he? Who else will harbor him
At his age for the little he can do?
What help he is there’s no depending on.
Off he goes always when I need him most.
He thinks he ought to earn a little pay,
Enough at least to buy tobacco with,
So he won’t have to beg and be beholden.
“All right,” I say, “I can’t afford to pay
Any fixed wages, though I wish I could.”
“Someone else can.” “Then someone else will have to.”
I shouldn’t mind his bettering himself
If that was what it was. You can be certain,
When he begins like that, there’s someone at him
Trying to coax him off with pocket-money,—
In haying time, when any help is scarce.
In winter he comes back to us. I’m done.’

‘Sh! not so loud: he’ll hear you,’ Mary said.

‘I want him to: he’ll have to soon or late.’

‘He’s worn out. He’s asleep beside the stove.
When I came up from Rowe’s I found him here,
Huddled against the barn-door fast asleep,
A miserable sight, and frightening, too—
You needn’t smile—I didn’t recognize him—
I wasn’t looking for him—and he’s changed.
Wait till you see.’

                      ‘Where did you say he’d been?’

‘He didn’t say. I dragged him to the house,
And gave him tea and tried to make him smoke.
I tried to make him talk about his travels.
Nothing would do: he just kept nodding off.’

‘What did he say? Did he say anything?’

‘But little.’

            ‘Anything? Mary, confess

He said he’d come to ditch the meadow for me.’

‘Warren!’

          ‘But did he? I just want to know.’

‘Of course he did. What would you have him say?
Surely you wouldn’t grudge the poor old man
Some humble way to save his self-respect.
He added, if you really care to know,
He meant to clear the upper pasture, too.
That sounds like something you have heard before?
Warren, I wish you could have heard the way
He jumbled everything. I stopped to look
Two or three times—he made me feel so queer—
To see if he was talking in his sleep.
He ran on Harold Wilson—you remember—
The boy you had in haying four years since.
He’s finished school, and teaching in his college.
Silas declares you’ll have to get him back.
He says they two will make a team for work:
Between them they will lay this farm as smooth!
The way he mixed that in with other things.
He thinks young Wilson a likely lad, though daft
On education—you know how they fought
All through July under the blazing sun,
Silas up on the cart to build the load,
Harold along beside to pitch it on.’

‘Yes, I took care to keep well out of earshot.’

‘Well, those days trouble Silas like a dream.
You wouldn’t think they would. How some things linger!
Harold’s young college boy’s assurance piqued him.
After so many years he still keeps finding
Good arguments he sees he might have used.
I sympathize. I know just how it feels
To think of the right thing to say too late.
Harold’s associated in his mind with Latin.
He asked me what I thought of Harold’s saying
He studied Latin like the violin
Because he liked it—that an argument!
He said he couldn’t make the boy believe
He could find water with a hazel prong—
Which showed how much good school had ever done him.
He wanted to go over that. But most of all
He thinks if he could have another chance
To teach him how to build a load of hay—’

‘I know, that’s Silas’ one accomplishment.
He bundles every forkful in its place,
And tags and numbers it for future reference,
So he can find and easily dislodge it
In the unloading. Silas does that well.
He takes it out in bunches like big birds’ nests.
You never see him standing on the hay
He’s trying to lift, straining to lift himself.’

‘He thinks if he could teach him that, he’d be
Some good perhaps to someone in the world.
He hates to see a boy the fool of books.
Poor Silas, so concerned for other folk,
And nothing to look backward to with pride,
And nothing to look forward to with hope,
So now and never any different.’

Part of a moon was falling down the west,
Dragging the whole sky with it to the hills.
Its light poured softly in her lap. She saw it
And spread her apron to it. She put out her hand
Among the harp-like morning-glory strings,
Taut with the dew from garden bed to eaves,
As if she played unheard some tenderness
That wrought on him beside her in the night.
‘Warren,’ she said, ‘he has come home to die:
You needn’t be afraid he’ll leave you this time.’

‘Home,’ he mocked gently.

                                   ‘Yes, what else but home?

It all depends on what you mean by home.
Of course he’s nothing to us, any more
Than was the hound that came a stranger to us
Out of the woods, worn out upon the trail.’

‘Home is the place where, when you have to go there,
They have to take you in.’

                                  ‘I should have called it

Something you somehow haven’t to deserve.’

Warren leaned out and took a step or two,
Picked up a little stick, and brought it back
And broke it in his hand and tossed it by.
‘Silas has better claim on us you think
Than on his brother? Thirteen little miles
As the road winds would bring him to his door.
Silas has walked that far no doubt today.
Why didn’t he go there? His brother’s rich,
A somebody—director in the bank.’

‘He never told us that.’

                              ‘We know it though.’

‘I think his brother ought to help, of course.
I’ll see to that if there is need. He ought of right
To take him in, and might be willing to—
He may be better than appearances.
But have some pity on Silas. Do you think
If he’d had any pride in claiming kin
Or anything he looked for from his brother,
He’d keep so still about him all this time?’

‘I wonder what’s between them.’

                                            ‘I can tell you.

Silas is what he is—we wouldn’t mind him—
But just the kind that kinsfolk can’t abide.
He never did a thing so very bad.
He don’t know why he isn’t quite as good
As anyone. Worthless though he is,
He won’t be made ashamed to please his brother.’

‘I can’t think Si ever hurt anyone.’

‘No, but he hurt my heart the way he lay
And rolled his old head on that sharp-edged chair-back.
He wouldn’t let me put him on the lounge.
You must go in and see what you can do.
I made the bed up for him there tonight.
You’ll be surprised at him—how much he’s broken.
His working days are done; I’m sure of it.’

‘I’d not be in a hurry to say that.’

‘I haven’t been. Go, look, see for yourself.
But, Warren, please remember how it is:
He’s come to help you ditch the meadow.
He has a plan. You mustn’t laugh at him.
He may not speak of it, and then he may.
I’ll sit and see if that small sailing cloud
Will hit or miss the moon.’

                                  It hit the moon.

Then there were three there, making a dim row,
The moon, the little silver cloud, and she.

Warren returned—too soon, it seemed to her,
Slipped to her side, caught up her hand and waited.

‘Warren,’ she questioned.

                                 ‘Dead,’ was all he answered.

This poem is in the public domain.

National Poetry Month Poem Day 15

And a poem for the USA Tax Day

The Final Tax
by Ellis Parker Butler

Said Statesman A to Statesman Z:
“What can we tax that is not paying?
We’re taxing every blessed thing—
Here’s what our people are defraying:

“Tariff tax, income tax,
Tax on retail sales,
Club tax, school tax,
Tax on beers and ales,

“City tax, county tax,
Tax on obligations,
War tax. wine tax,
Tax on corporations,

“Brewer tax, sewer tax,
Tax on motor cars,
Bond tax, stock tax,
Tax on liquor bars,

“Bridge tax, check tax,
Tax on drugs and pills,
Gas tax, ticket tax,
Tax on gifts in wills,

“Poll tax, dog tax,
Tax on money loaned,
State tax, road tax,
Tax on all things owned,

“Stamp tax, land tax,
Tax on wedding ring,
High tax, low tax,
Tax on everything!”

Said Statesman A to Statesman Z:
“That is the list, a pretty bevy;
No thing or act that is untaxed;
There’s nothing more on which to levy.”

Said Statesman Z to Statesman A:
“The deficit each moment waxes;
This is no time for us to fail—
We will decree a tax on taxes.”

This poem is in the public domain.

National Poetry Month Poem Day 14

The Crescent Moon
by Amy Lowell (1912)

Slipping softly through the sky
Little horned, happy moon,
Can you hear me up so high?
Will you come down soon?

On my nursery window-sill
Will you stay your steady flight?
And then float away with me
Through the summer night?

Brushing over tops of trees,
Playing hide and seek with stars,
Peeping up through shiny clouds
At Jupiter or Mars.

I shall fill my lap with roses
Gathered in the milky way,
All to carry home to mother.
Oh! what will she say!

Little rocking, sailing moon,
Do you hear me shout — Ahoy!
Just a little nearer, moon,
To please a little boy.

This poem is in the public domain.

National Poetry Month Poem Day 13

The Moon is distant from the Sea
Emily Dickinson

The Moon is distant from the Sea—
And yet, with Amber Hands—
She leads Him—docile as a Boy—
Along appointed Sands—

He never misses a Degree—
Obedient to Her Eye
He comes just so far—toward the Town—
Just so far—goes away—

Oh, Signor, Thine, the Amber Hand—
And mine—the distant Sea—
Obedient to the least command
Thine eye impose on me—

I believe this poem is in the public domain.

National Poetry Month Poem Day 12

Bluebeard: Sonnet VI
by Edna St. Vincent Millay

This door you might not open, and you did;
So enter now, and see for what slight thing
You are betrayed… Here is no treasure hid,
No cauldron, no clear crystal mirroring
The sought-for truth, no heads of women slain
For greed like yours, no writhings of distress,
But only what you see… Look yet again—
An empty room, cobwebbed and comfortless.
Yet this alone out of my life I kept
Unto myself, lest any know me quite;
And you did so profane me when you crept
Unto the threshold of this room to-night
That I must never more behold your face.
This now is yours. I seek another place.

I believe this poem is in the public domain.

National Poetry Month Poem Day 11

A wounded Deer – leaps highest –
Emily Dickinson

A wounded Deer – leaps highest –
I’ve heard the Hunter tell –
‘Tis but the Extasy of death –
And then the Brake is still!

The smitten Rock that gushes!
The trampled Steel that springs!
A Cheek is always redder
Just where the Hectic stings!

Mirth is the Mail of Anguish –
In which it cautious Arm,
Lest anybody spy the blood
And “you’re hurt” exclaim!