Category Archives: Vol7-Issue1-Poetry

Lois Levinson

In Darkness

Migrating birds
cross the disc
of the full moon,
silhouettes flitting
on a white screen,
like moths caught
in a searchlight beam.

But a moonsworth
is only a fragment of sky,
the visible just an inkling
of all that moves
in darkness.

Coyote, venerable dignitary
of the country of night,
swaggers past me
on his nightly patrol.

A family of mule deer,
antlers moon-silvered,
browses on dried grasses,
the old buck
keeping an eye
on the interloper.

A great horned owl
looms high
in the scaffolding
of a dead cottonwood,
scrutinizing all.

What I know is of little use here.
Furless and featherless,
I’ve forgotten the nocturnal
language of shadows,
the song of bare branches
as they fracture the moon.


Editor’s Notes:

The rich imagery of the dark nights and the moon fills this poem with a melancholy tone, and the last stanza cinches all those images into the futility of human knowledge. The assonance in almost every stanza is captivating.


Lois Levinson is the author of one book of poems, Before It All Vanishes, and a chapbook, Crane Dance, both published by Finishing Line Press.  Her poetry has appeared or is forthcoming in Canary Journal, Global PoemicGyroscopeThe Carolina Quarterly, The MacGuffin, Cloudbank and other journals. She lives in Denver, Colorado where she is quarantining, birding and working on her second book.

Miriam O’Neal

Remembering Liam

“He was just walking with time as wind does with the air, in and away.” Ankit Shah

He was just walking with time as wind does
was walking as wind does with time,
just with the air in deep and away,
walking
with walking, he was just air
time, wind does as he does
as with wind the air does walking,
wind was walking, just as time does,
does he walk with the air away,
with wind in deep and
the time was just as he was
air with wind with away
and in. He was time he was air he was walking
deep and away.

in memory of poet and essayist, Liam Rector (1949-2007)


Editor’s Notes: The nature of memory is persistent, and yet memory is ever-changing and fleeting as air and time. The repetition and alternating and transposing of the terms wind, air, and time symbolize this.


Miriam O’Neal’s, The Body Dialogues was published by Lily Poetry Review Books in January, 2020. We Start With What We’re Given (Kelsay Books) came out in 2018. Runner-up for the 2020 Princemere Prize, O’Neal is a 2019 Pushcart nominee and a Poet of Note in the Disquiet International Poetry competition. Recent work has appeared in Nixes Mate Review, North Dakota Quarterly.  Translations of Italian poet, Alda Merini, appeared in On The Seawall  in Fall 2019.